Friday, October 30, 2009

Summer and Spring Internships at Washingtonpost.com

Let me know if any of you are interested in applying and I'll try to help. You would have to make the case that you plan to learn (or are in the process of learning) Final Cut Pro. The process is very last-minute for them and it sounds like a bit of a scramble. I'm told they would like to have applications by Nov. 1. If you want me to review your materials, send a resume and cover letter to me by Saturday or Sunday morning. Make sure both are free of spelling and grammatical errors. Here are the details a former colleague sent to me:

Washingtonpost.com is seeking interns to work as production assistants for web video in the spring and summer. The spring internship is unpaid, and technically requires only 16 hours/week from the intern.

The summer internship is paid, $750/week compensation.

The following applies to both the spring and summer internships:

Prospective interns must be students currently enrolled in a degree program, and, if selected, must submit one of the following on or before the first day of the internship: 1) documentation showing that academic credit is being received (i.e. a copy of the course registration), or 2) a letter from a professor, department head, or academic advisor stating that the internship significantly contributes to the student's current degree program, or 3) a letter from the school stating that the internship is part of a work-study or independent study program.


Descriptions of positions:


Position 1

Video/Interactivity Intern at washingtonpost.com

The washingtonpost.com's Interactivity team is searching for a video intern to help with day-to-day video production of video programming. Candidate should have flexible hours and must have experience shooting DV/HDV video and editing with Final Cut Pro. Interns are preferred to have coursework or field experience in visual journalism or a related journalism/media degree.

Duties/Responsibilities

-Help with on-location filming for video shows
-Assist in editing and producing videos on deadline
-Must have be proficient shooting DV/HDV video on prosumer/professional cameras
-Must be proficient at editing audio and video in Final Cut Pro
-Must be organized, detail-oriented, and happy to work within a team environment
-Must provide resume and portfolio, including video samples

Contact: Akira Hakuta

Position 2

Documentary Video Intern at washingtonpost.com

The washingtonpost.com's documentary video team is searching for a video intern to work 16 hours/week for the spring semester 2010. The candidate will help shoot, report and edit breaking news, daily and feature video stories as well as assisting with on-location filming for various weekly video shows. Candidate should have flexible hours, including nights and
weekends. A person and must have experience shooting DV/HDV video and editing with Final Cut Pro. Interns are preferred to have coursework or field experience in visual journalism or a related journalism/media degree. Candidates must provide a resume and portfolio, including video samples.

Contact: Ben de la Cruz

Haunted House

Haunted House Rough Cut

Video Sequencing

http://www.ireport.com/docs/DOC-288909

0:53
Wide
In this shot of the gay pride parade where marchers pretended to be dead in order to promote their cause, that HIV services should not be taken away since it would inadvertantly cause the deaths of many homosexuals, the journalist gets a shot of the streetway, the buildings and all the people, with their signs. It creates a crowded, hectic feeling.

0:56
Medium
This shot brings the camera closer to the journalist, with those people immediately near her and the bodies surrounding her at her feet. There are people lined up and their standing figures neatly line the middle-upper portion of the shot, leaving a small line at the top for air. I feel like this is a good medium shot due to that space at the top, which keeps it from feeling crowded.

1:00
Close
The journalist brings it in closer, with standing figures filling and not fitting into the shot, with signs, arms and bodies partially obscuring the vantage point, making it a little bit more difficult to see where everything is. This shot furthers the feeling of the enthusiastic crowd that was emphasized in the wide shot, so I thought that this cohesion was good.


I just layered the audio and video, didn't do any editing yet.

Sequence Rough Cut